The Paris 2024 Olympics' opening ceremony has ignited controversy by featuring a scene of Leonardo Da Vinci's "The Last Supper" with drag queens, a transgender model, and a naked singer as Dionysus.

Many on social media also criticized the presence of a child in such a sexualized segment.

Religious and Political Outrage:

The Conference of French Bishops criticized the segment, deeming it disrespectful to Christianity, saying: "This ceremony has unfortunately included scenes of derision and mockery of Christianity, which we very deeply deplore."

Other figures, including Marion Marechal and Italy's Matteo Salvini, expressed their anger, calling it an insult to Christians globally. Elon Musk also joined the condemnation, labeling it "extremely disrespectful to Christians."

Support and Artistic Defense:
Artistic director Thomas Jolly defended the performance, highlighting France's values of freedom and secularism. He said that in France, people are free to love and believe as they choose.

Cultural Context and Broader Implications:
France's tradition of secularism and anti-clericalism means blasphemy is legal and seen by many as crucial for free speech. Some commentators viewed the uproar as part of modern cultural wars fueled by social media.

Participant's Response:
Philippe Katerine, who portrayed Dionysus, dismissed the controversy, suggesting that disagreement and debate make art more engaging.